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    Home»Technology»The TikTok Ban Was Never About TikTok
    Technology

    The TikTok Ban Was Never About TikTok

    Editor Times FeaturedBy Editor Times FeaturedJune 5, 2026No Comments4 Mins Read
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    It’s unusual to see your life enjoying out on the massive display, however that’s what it felt like after I received a sophisticated have a look at TikTok By no means Dies, a brand new documentary chronicling the high-stakes authorized drama round banning TikTok in the USA. I’m not really within the movie, however as a China tech reporter, I’ve carefully adopted each twist and switch of the saga it covers, from when President Donald Trump first threatened to dam TikTok in August 2020 to when he ended up brokering a sale of the app’s US operations in January 2026.

    Directed by Emmy-winning documentary filmmaker Hao Wu, the movie is premiering on Thursday on the Tribeca Movie Competition. It captures six years in 90 minutes by means of the eyes of the TikTok creators whose lives have been deeply entangled with the destiny of the video app.

    After former President Joe Biden signed a legislation in 2024 requiring ByteDance to promote TikTok or face a US ban, the corporate sued the federal government. It additionally recruited eight TikTok creators to hitch a parallel case, placing recognizable faces and names to the battle. Sensing that the drama can be an ideal plot line for a documentary, Wu instantly reached out to all of the influencers concerned within the lawsuit, finally deciding to observe three of them: Steven King, Chloe Sexton, and Topher Townsend.

    Whereas they have been all on the identical facet of the lawsuit, they’re additionally fairly totally different from one another and characterize a various pattern of the more than 200 millions People who use TikTok. They’re from vastly totally different components of the nation—Arizona, Tennessee, and Mississippi. One is a hard-core Democrat, whereas one other is a rising Republican influencer, and the third solely makes humorous, non-political content material. “In a roundabout way, TikTok did the primary spherical of screening for us,” Wu stated in an interview.

    Wu’s digicam was rolling throughout necessary moments, together with the at some point in 2025 when TikTok briefly went darkish within the US to protest Biden’s imminent ban. Viewers of the movie witness the precise second when the app disappeared for American customers and the speedy reactions of the influencers.

    The story of the TikTok ban was lengthy and winding. It went by means of numerous debates and battles when it handed by means of Congress, the Supreme Courtroom, and the White Home. The app went from being Trump’s pet concern, to a uncommon level of bipartisan consensus below Biden, to one thing Trump strongly opposed, earlier than finally turning into a bargaining chip within the US-China commerce conflict. It was exhausting to observe it again then as a reporter, and the fixed twists made it inconceivable to conclude what this complete saga meant for the US. However Wu’s documentary succeeds in lastly making some sense out of the insanity. “As a filmmaker, my intention is to make folks return and relive that have, and take into consideration what that have revealed,” Wu says.

    An All-American Story

    Wu beforehand labored in China’s tech trade earlier than he started moonlighting as a documentary filmmaker. His earlier film, Individuals’s Republic of Need, was an intimate have a look at China’s then-booming livestreaming trade, which predated the success of TikTok and short-form video within the US. Due to Wu’s private {and professional} background, I anticipated his movie to debate TikTok’s Chinese language origins intimately, but it surely doesn’t.

    Wu says he made that call as a result of the story in regards to the TikTok ban was extra American than it’s Chinese language. To be truthful, the narrative was formed partially by the truth that TikTok didn’t give Wu entry all through the manufacturing course of, regardless of his repeated outreach to the corporate.





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